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It is a poem by Robert Frost illustrates a relationship between individual and neighbors. He also asserts, “Good fence, good neighbors”. Which attracts the reader and lead us to discuss about it further up. A stone wall separates the speaker’s property from his neighbor’s. In …
From the very title of this poem Robert Frost implies his intention of presenting an everlasting barricade in human relationship, symbolized by the image of a wall. Close analysis reveals a work that functions on many levels. On the surface, ‘Mending Wall’ pictures a scene …
Mending Wall is one of the most analysed poems of Robert Frost. It was published in the early part of his life as a poet. When he wrote the poem, he was living in the rural part of New England. The title of the poem …
‘Mending Wall’ is one of the finest poems written by the American poet Robert Frost. It was published in his collection “North of Boston” in 1914. The complex multidimensionality of the poem questions the necessity of borders in today’s worlds and our lives which make …
Robert Frost’s poem “Mending Wall” is a thought-provoking exploration of human nature, societal norms, and the boundaries that separate individuals. Through vivid imagery and introspective reflections, Frost invites readers to question the necessity of walls and the reasons behind their construction. This essay delves into …
1914
Robert Frost
Meter: iambic pentameter
The poem considers the contradictions in life and humanity, including the contradictions within each person, as man "makes boundaries and he breaks boundaries". It also examines the role of boundaries in human society, as mending the wall serves both to separate and to join the two neighbors, another contradiction.
The mood of "Mending Wall" is curious and thoughtful. The speaker in the poem demonstrates curiosity when they question why the wall is.
Form and Structure: “Mending Wall” consists of forty-six lines of blank verse without stanza breaks. Frost occasionally uses enjambment, but typically he sculpts his phrases to fit within the pentametric line. Though the iambic rhythms are largely precise, Frost sometimes uses metrical substitutions for effect.
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