Nature and Victor Frankenstein

Category: Frankenstein, Nature
Last Updated: 10 Mar 2020
Pages: 4 Views: 288

Nature plays an important role In Frankincense, although to the deader familiar with romantic poetry, it may seem that nature Is somewhat less Important or less central than the role It plays, but from the novel's opening, the importance of the reader getting a sense of physical place is established by situating the text within a particular environment, the qualities of which will both mirror and contradict the inner states of the main characters. Even from the very beginning of the novel, theme of nature is incorporated into Shelley work. The icy wilderness in which the novel begins and ends is the barren land of isolation from human warmth ND companionship, Into which Walton foolishly sails and Into which Frankincense Is Inexorably led by the monster, whose inescapable destiny is It". Later, on the morning after Victor gives life to his creation, he says, "Morning, dismal and wet ... As if I sought to avoid the wretch whom I feared every turning of the street would present to my view'. When Victor is scared or upset the weather is nasty to complement the way that he is feeling in certain situations.

And also Victor notes that the landscape of the Orkney and that of his native country are quite distinct. His ascription of the Orkney Is cold, barren, gray, and rough. In contrast, he recalls Switzerland as colorful and lively and the landscape as teeming with blue lakes that reflect the brilliant blue sky. It is symbolic, of course, that Victor has chosen such a barren place to create the companion for the Creature. The contrast between the two places is as stark and distinct as the differences between Frankincense's Creature and the human world.

The Creature occupies a world that is bleak, that Is attacked on all sides by an unforgiving set of conditions. Victor, his family occupies a world that as beauty, even though each has had to deal with occasional harsh realities. These appropriate pairings of characters with their environments will be re-emphasized throughout the novel, and the physical qualities of the environments will provoke contemplative thought for most of the main characters, especially Victor. By chapter five of the first volume, Shelley creates a connection between Victor and nature.

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Instead of describing his moods with metaphor, as In earlier images, she describes his recovery from grave Illness through his affinity with nature. Although nursed by is closest friends, It Is the breathing of the alarm that finally gives him strength: We passed a fortnight in these perambulations: my health and spirits had long been restored, and they gained additional strength from the salubrious air I breathed, the natural incidents of our progress ... The air is not simply necessary for life; Victor is so taken with it that he actually gains strength from it that he had not had before.

Another role of nature is a deep understanding of the mysterious forces of nature by Victor Frankincense. So Victor acknowledges tense Tortes when en says: It was ten secrets of heaven and earth that I desired to learn; and whether it was the outward substance of things, or the inner spirit of nature and the mysterious soul of man that occupied me, still my inquires were directed to the metaphysical, or, in its highest sense, the physical secrets of the world. It is the great force of nature that drives Victor into his scientific pursuit in the first place.

When lightening shreds the tree in front of Victor's eyes he is doomed for life. On the night that Victor first gives life to his creation, it is dark and dreary. Victor makes his declaration of purpose hen he says, "more, far more will I achieve: treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation". In Victor's case, an obsession with the nature of science pushes him to cross the boundary that separates the forces of human power and nature when he decides to construct his creation.

Along with his own feelings of ambition, Victor also constructs his creation because of the want to bring about change in his society. And when he creates life from lifeless matter to bring change n his society, readers are forced to use their imagination to give life to this creation themselves. Later, when Victor returns home on receiving word of Williams death, he notes that "Night closed all around; and when I could hardly see the dark mountains, I felt still more gloomily.

This picture appeared a vast and dim scene of evil, and I foresaw obscurely that I was destined to become the most wretched of human beings". At the end of the novel during Victor's honeymoon, "the wind, which had fallen in the south, now rose with great violence in the west", before Elizabeth is ordered by the creation. In conclusion, the natural settings in "Frankincense" play a vital role in enhancing the impact of the story and progression of the plot and characters.

What has been said so far, then, is that man attempts to control nature believing to be the master over all. In fact, man's effect is Just that, an unnatural one, in that it works against nature instead of with nature. The question then, is why man is unable to emulate nature, why he is unable to work with nature without harming it in some way, as we have seen above. One answer is that man is unable to see ahead, hat he refuses to see the purpose in everything that nature does.

Victor Frankincense is so obsessed with his mother's death and with his desire to remove it, that he does not see the purpose that death has. So, Just because mankind has the power to do something, does not necessarily mean that he must, or should. Instead, perhaps he should respect the natural course of things. And nature surrounds us during our whole life, and it has a great influence on us, as well as on our mood and behavior. Resources: http://www. Gutenberg. Org/files/84/84-h/84-h. HTML http://Ankara. English. Upend. Demesnes/nature. HTML

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Nature and Victor Frankenstein. (2017, Oct 29). Retrieved from

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