An Analysis and Appreciation of the Performance of the Duquesne Wind Symphony

On Februrary 16th I had the priveledge of attending the Duquesne Wind Symphony. There were three distinct pieces within the concert: Headrush composed by Jay Bocook, Symphony by Brett William Deitz, and Mambo by Leonard Bertstein.

The symphony band played Italian in Algier Overture, Dusk, Xerxes and Armenian Dances. To compose this, they used Xylophones, flutes, violins, cellos and drums.

The repercussions and use of the instruments will be discussed throughout the body of the text, reflecting how the music affected the body, emotion invoked and the level of entertainment involved.

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The concert was in a professional ballroom-like setting. All in the symphony wore black and white suits, with a well dressed crowd that followed. The aura in the room felt 'proper' and carried a heightened level of behavioral expectation within its walls. The beginning of the symphony carried a softer and more soothing feel.

There was harmony among various string instruments that conjoined to bring about a relaxing and peaceful sound. With a harmonious soft tone, a sense of soothing "fresh air" overwhelmed me and took me to a place of comfort.

The work was certainly not for physical entertainment, rather it focused on the deep beauty of the arts and encouraged its' listeners to really embrace and feel the compelling emotions through the dynamics and accents placed throughout the piece. The pitch was consistent for most parts, but some extreme accents adjusted the perceptions of the art - promoting emphasis on that part of the story the music was depicting.

The use of different instruments in the symphony also played an important role in the overall effect of the music. The xylophones added a bright, sparkling quality to the music, while the flutes added a lightness and airiness. The violins and cellos created a rich, full-bodied sound, and the drums added a sense of rhythm and energy.

As the symphony progressed, the dynamics and tempo varied, creating a sense of tension and release that kept the audience engaged. The music was able to convey a range of emotions, from the peaceful and soothing to the intense and dramatic.

The final piece, Mambo by Leonard Bernstein, was a lively and energetic composition that had the audience tapping their feet and moving in their seats. The piece was performed with great enthusiasm and skill, and the audience responded with enthusiastic applause.

Overall, the Duquesne Wind Symphony put on a wonderful performance that showcased the beauty and power of classical music. Despite the traditional nature of the music, the performance felt fresh and modern, and the musicians were able to convey a range of emotions that kept the audience engaged from start to finish. It was a truly memorable evening of music, and one that I will cherish for a long time.

Overall the symphony performed at an optimal level. There were very little mistakes in the music, and most of the energy was focused on the conductor, as he was intensely focused on each aspect of the art. His extreme movement and level of excitement radiated toward the crowd, and when he slowed his movements, so did the instrumentalists.

To me, the concert maintained traditional conservative values as classical style music was played. An upper-class folk would be more likely to enjoy this type of music.

Personally, I enjoyed all of the concert. It was a nice flashback to the days when I was in the choir in high school. We practiced much of the same music, so I could feel a deep connection with the entire concert. Although it is not my favorite type of music, it did keep my attention from start to finish, and I have to admit that I did enjoy this concert.

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