It is known to all, the ocular feeling of metropolis environment is intuitively the most direct and powerful centripetal experience for citizens with good sight. It is beyond uncertainties that visual sense plays a dominant function among all the senses. Ocular sense provides more information for people when they situate in a new topographic point, particularly the orientation in infinite. Porteous ( 1996, p. 3 ) one time mentioned, vision is active and intensive: ‘we expression ; odors and sounds come to us. ‘ The prejudice of ocular sense can besides be easy found in the most of the building procedure – Architects nowadays focus more on ocular environment. Although vision is the really of import sense, the urban environment is non merely perceived by eyes. The changing of the information we receive from eyes is merely the really initial measure of the centripetal experience. The developing and underexploited non-visual senses besides contribute vastly to the profusion of the perceptual experience and knowledge. In this research, the research worker will analyze what roles do non-visual senses play in urban infinites and how/what will people comprehend a topographic point without sight. In peculiar, the research will concentrate on the different maps of each sense and how to the usage them ( e.g. sound, touch, odor, gustatory sensation ) to do a public infinite work successfully and alone.
The end of this survey is to polish our current apprehension of feeling a topographic point and to supply an intensive reading of non-visual senses which has been ignored by most of interior decorators and users. From a long-run position, the consequences of this research can besides cast some new visible radiation in making a public infinite which is combined both the ocular and non-visual senses and offers more centripetal experiences to people.
Constricted, we understand and interpret the metropolis through the proficient instead than the sensory, yet it is the sensory from which we build experiencing and emotion and through which our personal psychological landscapes are built. These in bend determine how good or severely a topographic point works – even economically, allow entirely socially or culturally – and how it feels to its dwellers and visitants. ( Landry 2006 p40 )
If our apprehension is limited to a ocular apprehension, we merely concentrate on forms. If, nevertheless, we go beyond visual aspects, we start a spacial apprehension, a three dimensional experience. We can come in this infinite, instead than merely see it. The same applies to the design of infinites. We do non make mere visual aspects but infinites that we can utilize for different intents. ( Madanipour 1996 p99 )
As the citations at the beginning of this chapter high spot, citizens are affected intensively by the infinites and topographic points – non merely the organic structure, but besides the heads and senses every bit good. Since the early 1960s, the knowledge of environmental perceptual experience has developed. Along with the increasing surveies being conducted, there now generates a critical organic structure on people ‘s perceptual experience of their urban milieus. The construct of mental ‘maps ‘ and images of metropoliss are the nucleus surveies for sense of topographic point in the field. More significantly, the publication of Kevin Lynch ‘s The Image of the City ( 1960 ) is the important work in the field of urban imagination. Furthermore, harmonizing to the reactions of human sensory system, the four most valuable senses in feeling the environment are vision, hearing, touch and odor. The research and articles around the subject ‘sense of topographic point ‘ were so flourished. It is widely considered that most public infinites is a ocular 1, as Fran & A ; ccedil ; ois Molnar ( 1997 ) points out, ‘visual system is sensitive to spacial frequences, of which some seem privileged. ‘ and ‘responds straight to each of a figure of different spacial frequences ‘ ( p.227 )
However, it has been argued that the experience of public infinites besides affect the senses in other ways. In the foreword of the October 1991 issue of The Architectural Review, the editor provinces: ‘we appreciate a topographic point non merely by its impact on our ocular cerebral mantle but by the manner in which it sounds, it feels and odors. ‘ ( p.5 ) The geographic expeditions of the relationship between each different sense and how they relate with infinite are besides good developed. For case, Lang ( 1994 ) points out that an environment ‘s ‘soundscape ‘ ‘can be orchestrated in much the same manner as its ocular qualities by the pick of stuffs used for the surfaces of the environment and the nature of objects within it. ‘ ( p.33 ) Furthermore, another designer, Juhani Pallasmaa examined the representation of touch in his book The Eyes of the Skin ( 2005 ) ; he claimed that ‘Vision reveals what touch already knows. We could believe of the sense of touch as the unconscious of vision. ‘ It is true that designers and research workers have already noticed the importance portion that both the ocular and non-visual senses play in urban infinite. Therefore, based on the old surveies and statements, this research will turn out the maps of non-visual senses harmonizing to a series of methods and the consequences of the research will be utile in later relevant design undertaking.
Although some recent surveies enriched the literature of centripetal design, there is still however an ignorance of non-visual senses for bulk of people. Furthermore, it is common to detect that non-visual senses are underplayed and developing in pattern. Although non-visual senses contribute to a profusion of comprehending a topographic point, it seems that the cardinal maps of non-visual senses are wholly forgotten by most of interior decorators. For this ground, the creative activity of some public infinites presents is deficiency of assorted or exciting experience for users. To turn to this ignorance in planing, this research is conducted to specifically research what roles do non-visual senses play in urban infinites and how people perceive a topographic point without sight. These are two core research inquiries of this proposed research, the research is conducted through two stairss – the observations and interviews of blind people and blindfolded experiments in sighted people.
Sing the inquiry which mentioned at the beginning of the proposal that why non-visual senses are easy ignored by most of people? Although the experience of a infinite is composed of the information from every sense, as Landry ( 2006 ) mentioned ‘sight are better articulated, because in general we have a rich vocabulary about physical visual aspect ‘ ( p50 ) and most of users, include interior decorators for public infinite are the people with good eye-sight. Therefore, in order to reply the inquiries of what sort of information of the milieus will users receive via non-visual senses and what will the infinite nowadays without the sense of sight, unsighted people is chosen as the sample to analyze, as they correspond with the research conditions – they can merely read the milieus by sound, touch, odor and even gustatory sensation.
The 2nd portion of the research is to blindfold sighted individuals and inquire them to walk through the metropolis. During this procedure, they simulate the behavior of blind participants and perceive the milieus from the unsighted people ‘s position. Catherine Thinus-blanc & A ; Florence Gannet ( 1997 ) claims in their research paper Representations of Space in Blind Persons, the grounds that other centripetal modes besides contribute to spacial experience is ‘when sighted participants are blindfolded and asked to execute spacial undertaking with non-visual-relevant information, which they accomplish without trouble ‘ this is why the research worker choose this attack to make the experiment. It will non merely re-prove the consequences from first measure that how other senses conveying the characteristic of metropolis environment, but besides give a direct and strong comparing between ocular and non-visual senses to the sighted participants. And the comparing between these two sorts of sense will be clearly suggested once the information was collected.
The research adopts a qualitative methodological analysis in order to lend the profusion of the literature of the field. It is really of import to indicate out that any specific method or technique is selected after serious consideration on what is theoretically desirable and what is practically and ethically possible. Finally the research selected observation and qualitative semi-structured interviews which are identified as the most suited techniques for the research harmonizing to the specific research aims and context to research the map and position of each non-visual sense, like sound, touch, odor and gustatory sensation. The remainder of this subdivision describes the inside informations of the conductivity of this research.
Individual observation and interviews
As mentioned above, the first portion of the research is to detect blind people ‘s behavior. The sample is consisted of 10 single participants. Sing the ethical issues, all the participants will be informed before observation and interview conductivity that the information obtained in the research would maintain confidentially. Those participants will be observed two hours per twenty-four hours for their behavior in the day-to-day life and the observation of the spacial public presentations of blind people will be undertaken in topographic points where participants carry out their day-to-day activities, like eating houses, street, or cafe store. In order to research in deepness, some of participants ( about non more than five ) are chosen as the sources to carry on the interview. Semi-structured interview technique was besides employed with the consideration of the aim of the research, which is conducted in random clip after observation finished and arranged between 30 proceedingss to one hr long. The chief purpose of the interview is to complement the losing portion of observation and to re-prove the statements from the relevant paperss and surveies. Therefore, it will get down with wide inquiries and follow up harmonizing to participant ‘s replies. Participants are encouraged to speak freely during the whole procedure. The qualitative semi-structured interview inquiries are listed below:
- When you walking through the public infinite, which portion will you notice at the beginning? Which sense ( touch, sound, odor, and gustatory sensation ) will assist you to comprehend it?
- Is there an imagination map in your head when you walking through the metropolis?
( If yes, inquire the participant to depict by and large how it forms )
- Which sense offers more information and aid you more to comprehend metropolis environment when you walking through the metropolis?
- Have you got the knowledge of colorss?
( If yes, inquire the participant to ( a ) stipulate what colors are, ( B ) describe what the color expression like in his head, and ( degree Celsius ) how this knowledge signifiers by non-visual senses. )
- Which sense will assist you to find the waies and how can you find it?
- Have you got an apprehension of different distance? How can you understand it?
- Are there any attacks for you to state the differences from different sorts of infinite?
- Have you of all time traveled to another metropolis?
( If yes, inquire the participant to depict the metropolis feeling in his head and stipulate how he feels that by non-visual senses. )
Due to the length of interviews, each interview was recorded to enable subsequent analysis of informations and word for word citations and permit the research worker to to the full concentrate on the conversation and non distracted by efforts to take notes. The common points of each participant should be summed up after analyzing. The research worker will compare the consequences with the statement from old surveies and polish how non-visual senses contribute when comprehending a public infinite.
The sum of the participants is around 20 or more sighted people. Experiments will take topographic point in the metropolis Centre of Nottingham. Participants will divided into little groups with maximal three people, a blindfolded one, a usher and a recording equipment, for the intent of convenience and effectual. A path map will besides be determined before get downing – from Old Market Square to Victoria Centre. The experiment starts in forepart of the City Council. The participant will walk across the cardinal of Old Market Square in darkness merely by following the voice instructions from the usher. When arrives the H2O pool located in the West of the square, the participant demand turn right and walk along the south side of the square. Then, after walking through the busy paving and traversing the traffic route, they will get at Victoria Centre. The concluding measure is to walk into the edifice and see the inside of it from non-visual facets. As is can be seen from the descriptions, the path of the experiment includes assorted alterations of the milieus – from level land to inclined surface, from exterior to interior and from the unfastened infinite to linear infinite as good. Therefore, every bantam alteration that represent on the participant should be recorded carefully. More significantly, after the blind journey, the blindfolded 1s will be asked to retrace the path with sight and the retraced path will besides be drawn down in order to contrast to the former 1. Furthermore, they will besides be required to show their perceptual experiences of milieus by drawings – abstract drawings about spacial feelings when they are unsighted. Each member in the group will make the experiment in bend. More participants can be chosen indiscriminately from the Old Market Square.
The intent of the experiment is to hold a comparing between ocular and non-visual senses and happen out the chief characters of non-visual senses when vision is non the dominant 1. Interview them after or during the experiment about their feelings. Similar with the old one, it will get down with wide inquiries and follow up harmonizing to participant ‘s replies. The list of inquiry for interviews is stated as followers.
- Is the infinite represents every bit same as before when you blindfolded? Can you stipulate the differences?
- Can you depict your feelings now? Are at that place any alterations in the encircled infinite?
( Ask these inquiries when participant is closer to the H2O pool which is located in the West of Old Market Square. )
- Can you detect the alteration of the ground/change of the air current way?
- How does the infinite represent now? Which sense aid you feel like that?
( Ask these inquiries on the manner to Victoria Centre. e.g. walking through the pavement/crossroad. )
- Make the spacial feelings alteration when you enter the Victoria Centre?
( Ask this inquiry when come ining the Victoria Centre and if yes, inquire the participant to stipulate the differences. )
- What is the difference between exterior and interior infinite?
When experiments have been done, the characters of non-visual senses will be summed up harmonizing to the experiment and interview records. The research worker will research the functions that non-visual senses play in showing the metropolis environment and set about a situational analysis on the abstract drawings and compare the retrace path with the old one.
The followers is the record of a blindfolded experiment conducted by the research worker and her group members. It follows the stairss that described antecedently in the proposal. The experiment lasted about one and half hr and took topographic point in metropolis Centre of Nottingham on 19th October 2009.
The followers are some infusions of the reply to the interviews:
“ … After my eyes covered by my scarf, I can non see anything in forepart of me. Everything seems to be unknown and unsafe. The old familiar environing now turns into a universe which is like a cryptic black hole… “
“ … at the clip I lost my sight, the non-visual senses become stronger and more sensitive than usual, particularly hearing and touch… I received bantam alterations from environing more easy and rapidly. Furthermore, I found that I can comprehend the environment in determining the infinite by voices around me… ”
“ … while I was walking through the street, the next infinite seems to be composed of legion faces and lines. I have to state this is the really interesting and originative portion of the experiment… “
“ … interestingly, at the clip I entered the Victoria Centre, the character of the voice changed evidently. This helps me to cognize that I have already entered the inside of the edifice… it seems like we are now in a immense glass box. Voice no longer stand for on planes, but comes from every way in three dimensions… ”
These are some abstract drawings that drawn by the participants after the experiment. The participant is required to utilize simple phrases or sentences to explicate the abstract drawings.
- Malnar, J.M. ; Vodvarka, F. ( 2004 ) . Centripetal Design, University of Minnesota Press.
- Henry, S. ( 2008 ) . Convivial Urban Spaces: Making Effective Public Places, Earthscan Publications Ltd. Press.
- Pallasmaa, J. ( 2005 ) . The Eyes of the Skin: Architecture and the Senses, Academy Press.
- Carmona, M. ; Heath, T. ; Oc, T. ; Tiesdell S. ( 2003 ) . Public Places-Urban Spaces: The Dimensions of Urban Design, Oxford: Architectural Press.
- Kevin, L. ( 1960 ) . The Image of the City, The MIT Press.
- Catherine, T. B. ; Florence, G. ( 1997 ) . Representation of Space in Blind Persons: Vision as a Spatial Sense ; Psychological Bulletin, ( 1997 ) . Vol. 121, No. 1 20-42, American Psychological Association Press.