Kurt Vonnegut: Harrison Bergeron Story

In the story Harrison Bergeron, through Kurt Vonnegut, the writer calls attention to the heroic and villainous characters. As we study the story, these two poles turn out to be challenging to become aware of and we turn out to be mindful of the reality that the protagonist, Harrison Bergeron, can without difficulty be depicted as the hero and the villain. In spite of the fact that opinions may also be at variance, I agree that Harrison Bergeron is neither the hero nor the villain. To begin with, he does no longer beneficial to be regarded as a hero, for his moves do now not pertain heroism.

Secondly, he falls sufferer to the corruption of electricity and dies for his cause; consequently, it is unfair to declare Bergeron villainous. And the closing of all, it is in our nature to be each heroic and villainous; we are thus the nature of mankind.

Harrison Bergeron does now not earn the privilege to be handled like a hero because, even although he does certainly denounce an authoritative and effective political regime and jeopardizes his personal lifestyles for the sake of freedom of speech, he pronounces himself emperor in the end. In normal stories, the hero is more frequently than now not a prodigious parent who is top-quality to ordinary people; and such was once Bergeron as we are capable to take a look at in the following passage: "He is a genius and an athlete, is under-handicapped, and should be viewed as extraordinarily dangerous."

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He used to be pressured to bear a big volume of handicaps, which the reader reckons is the end result of his fine looks, athletic figure, and special intelligence:
"Nobody had ever worn heavier handicaps, Instead of a little ear radio for a mental handicap, he wore an incredible pair of earphones and spectacles with thick wavy lenses.”George and Hazel’s song, Harrison Bergeron, was taken from them in the establishing of the story.

His dad and mom rapidly forget about him, however, he makes a large return later on live television, where he breaks into the television studio to declare he is a new authority. After that, he proceeds to ask for someone to rule with him and after only a few seconds, a beautiful ballerina has the same opinion to be with him. Although he is depicted as someone trying to take electricity and is technically the disrupter of this society, there is an underlying meaning to his character. When Harrison and his new associate start dancing, it is nearly magical. The reader feels their dance, un,l they finally kiss the ceiling.

Vonnegut says, “And then, neutralizing gravity with love and pure will, they remained suspended in air inches under the ceiling, and they kissed each different for a long, lengthy, me”. Shortly after this moment, they are shot down via the Handicapper General, and then all of the preceding magic is gone. What Vonnegut does at some stage in the story, is to introduce a gray and boring society that has already reached whole equality. And then, with Harrison Bergeron, he adds a contact of coloration to remind the reader what is missing, and then very quickly that shade is snu=ed out. Furthermore, Vonnegut’s story is a warning of what could occur if equality used to be brought to this kind of extreme.

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