American Romanticism Analysis

The American writers tried to figure out what ‘American’ could mean—they were out to find a unique personality, a separate identity to the American literature, and the way of life, that was distinctly American and not British. This struggle fired them and took them to the portals of creativity. Their vision was to outgrow the concepts of guilt, evil, salvation, providential aspects of Puritanism, and search about the fiery rhetoric of equality and freedom. In the glorious years of 1850-1855, emerged writers like Emerson. The materialistic approach unavoidable in the circumstances then prevailing cost America the mind and the spirit.

To blend 150 communities into a Nation was not an ordinary job. Writers like Emerson, moved away from the influences of stern dogmas and looked out for new spiritual roots. Materialistic theories for education were resisted. Truth is a matter of intuition and individual experience, and it transcends the borders of reason. Human beings need to follow the dynamic spirit, without destructive approach. Good literature must not go by the rules and it should appeal to the heart. To such writers Christ in the heart was more important than the cross on the neck!

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The ideas of Cultural Revolution became popular, even though many did not understand its exact definition and implications. The ‘clash’ of writes of the time continued; they influenced each other, though each denied such influence to assert their right as romantic individualists. Poe (who died in 1849) wrote about Emerson in his works, Emerson bought his writings to a creative boil etc. The hero of American Romanticism was Emerson, the literary giant, who kindled the creative fires in his time. He touched all the sensitive parts of the American psyche. The sentiments of an individual on the same topic vary from time to time.

An authentic quality about thinkers and genuine writers is that they are willing to think; give room to accommodate; willing to accept, when necessary and reject outright, when required to do so. Emerson’s ‘Moral Sentiment’ and Poe’s ‘Poetic Sentiment’ often clash. Emerson viewed Poe as a man of dissipation. This is just short of telling that he is an evil-incarnation. He also considered Poe as a man of stern reasons, without heart. Poe was the genius of imaginative literature, but he lacked humanity, so essential for the standard of living and standard of life of the society.

The evil influences of Satan in the writings of Poe were seen by many contemporary writers, including Emerson. Soon other writers began to narrow down the margin of difference between the writings of Emerson and Poe. The gap between Poe’s “poetic sentiment” and Emerson’s “moral sentiment” was much narrower. Critics created such a controversy and erected artificial barriers without going into the merits of the case. The spirit of the age to which the poets and writers live counts a lot and it has profound influence on their writings. The ‘generation gap.

’ in the wide sense does the trick. Also, their ideas on relationship between art and morality, were actually of little consequence, once the influence of time-element is deleted from their views and writings. Viewed impartially, Emerson’s "Moral Sentiment' and Poe's "Poetic Sentiment” are the alternative beats of the same heart. Both wish to transcend the borders of reason, as they are aware that the bliss of truth is available for experiencing only when the last hurdle of the mind is crossed. Experience divinity through moral sentiment or poetic sentiment—it is one and the same!

It is reasonable to assume that once they reach the ‘beyond the mind’ state, the poetic sentiments and the moral sentiments merge, because in essence, they are one and the same. The mind level critics can not understand Emerson or Poe! Their position is like the Surgeon in the allegory! He once questioned a Realized Soul, “Revered Master, I am a surgeon of international reputation. In the course of my professional duties, I have cut each and every part of the human body. But I haven’t seen your God anywhere! ” “Is it so? ” asked the Realized Soul, “Then you must have at least come across human emotions like love, anger, greed, etc.

when you performed those operations! ”... The perplexed Surgeon said, “These are mind-level emotions. How can one see them? ” Now it was the turn of the Realized Soul to deliver the clincher. He said, “You are unable to see the emotions, which belong to the domain of mind. How can you see God, for experiencing whom, you need to transcend the borders of mind and enter the realm of divinity? ” In fact, both Poe and Emerson wrote from the level of progression of their minds, and the time-element played an important role, as they tried to give the verbatim report of their intuitive experiences.

Even the narrowest differences at the highest level become wide disagreements. It is not correct to conclude that Poe and Emerson always thought on identical lines. Apart from the above two sentiments, there are wide, irreconcilable differences between the two. Art takes the secondary position as far as Emerson is concerned. His main concern is Over-Soul. Art is just means to an end. For Poe, it is the end in itself. While asserting thus, he touches the portals of spiritual realm, but refuses to cross the last barrier of the mind.

Perhaps it is this search for eternal truth that kindles the curiosity of Poe to create romantic hero like Auguste Dupin Poe is the undisputed ancestor of a detective genre of stories. The search in a fiction and real search in individual lives invite comparison. The reason for crime-perpetration (evil) is the age-old investigative querry of humanity. His detective story “The Murder in the Rue Morgue” (1841) is the case in point. In this story Poe describes about the same pairs of opposites that govern and dominate human life, good and evil, which are important biblical subjects.

Even today Dupin is the most admired and popular detective character. The most important asset of Dupin is his capacity for observation and ability to draw correct conclusions. His analytical mind was his natural gift which he used intelligently to arrive at decisions. Poe created this unique character when the detective genre of literature did not exist. One can observe similarities between the traits of seeker of truth and the detective Dupin who wishes to get at the truth of complicated issues. The time-element and the historical background have the dominant influence on the writings of an author.

Viewed from this angle Emerson belonged to the volatile time of the American History, when the American society was going through convulsions. Such situations fire the mind of a creative author. Emerson has been hailed as the greatest prose writer of this century. There are solid grounds why Emerson’s essays are all-time greats. Such writing is possible for a brilliant mind, one who has the warm-heart and above all, one who has touched, and at times crossed the borders of reason-transcended the mind-barrier to enter the portals of divinity. He has definitely experienced the flashes of divinity within him!

The sum and substance of his essays is-- life is to be lived in its trials and tribulations its duty and beauty with total respect and surrender for the Over-Soul that looks after the smallest and biggest actions and aspirations of an individual. Don’t seek concession, but make relentless efforts for Self-Realization, argues Emerson. The important themes depicted in Emerson’s ‘Circles’, are too profound for the ordinary mind to comprehend. Theme number one is, there are no fixed points and the second one, that the key to every man is his thoughts.

The import of the first point can be understood not by intellectuals but by the spiritually-oriented. The concept is equivalent to that of Maya (a Sanskrit word, roughly translated-illusion) of the Advaita (Non-dualism) Philosophy of the East, more specifically India! By arguments and counter-arguments, this point can not be proved, and therefore the rationalistic mind would not accept this. For example, when Bertrand Russell said, “Mental fear creates God,” it actually doesn’t make any difference to God! Russell is speaking from his mental level.

Emerson, talking about the essential and real nature of things can be explained through an example: Howsoever powerful and big may be the waves in an ocean, their essential nature is mere water! Mind is nothing but the bundle of thoughts. When the thought process is changed, the action process is also changed. When the thoughts are changed, the mind is changed, when the mind is changed; the man is changed; when the man is changed, the society is changed. There are inconsistencies in our perception and in our capacities for articulating ideas—this is bound to happen.

Everyone speaks from the level of his progression, as cited in the example of Bertrand Russell, above. Such capacity is inborn as well as acquired. When Poe posits the figure of Auguste Dupin, whose perspective appears to supersede all partial perceptions, one needs to understand that he is thinking from the level of his perceptions about life. That can’t be and need not be truth. Poe’s conception of final intelligence is comparable with Emerson’s assertion that such finality is unattainable through the process and methods of intelligence and reason.

That is the transcendental experience to be experienced, and no words can describe it for understanding by the masses. It is the level of unspeakable truth. It is the sweetest sound —the silence within! Auguste Dupin is an analytical genius. How come he became the genius? What is the secret behind his extraordinary abilities? Dupin lives in isolation, he is a completely detached individual, and this detachment gives him the extra power of close observation and he comes to correct conclusions. Police are in the middle of everything and are habituated to work in noise pollution (of the mind?

) But Dupin works in ‘silence. ’ By depicting this style for working, Poe castigates the various social institutions, which are incapable of providing proper facilities and full justice to the people. Dupin is not attached to anybody and he is working without the motivated desires. =============== References Cited: Emerson, Ralph Waldo: Essays & Poems Emerson (Everyman's Library) Publisher: Orion Publishing Group, Ltd. (March 15, 1995) Poe, Edgar Allan: Thompson G. R. (Editor): The Selected Writings of Edgar Allan Poe (Norton Critical Editions) Publisher: W. W. Norton; 1st edition (April 2004)

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