The Concept of Space in Architecture
A infinite is a physical description of a piece of land, whereas a topographic point connotes an emotional fond regard to the piece of land. [ 1 ] A Topographic point is a peculiar part of infinite, whether of definite or indefinite extent. [ 2 ] It is a “tangible” construct, intending that we can see the milieus, it is similar to the definition of location, for illustration, and our place is a topographic point where it is surrounded by walls and is sheltered.
It is contained within a infinite, normally bounded by boundaries. A Space is an limitless 3-dimensional sweep in which all stuff objects are located. [ 3 ] However, we are able to restrict the infinite into a topographic point by specifying and curtailing the sweep harmonizing to how large we want it to be.
Figure 1: A topographic point or a infinite is based on one’s judgement.
An impersonal infinite is an anon. part which is non peculiarly related to a individual. To transform an impersonal topographic point into a private topographic point, we can put our personal properties in that peculiar dimension, which is sufficient for a individual to be able to roll and travel approximately and to transport out daily activities. An impersonal infinite like a schoolroom in a school can be divided into student’s ain personal zones. For illustration, each student’s country is defined by the schoolroom desk where they are able to put their ain bag, books and letter paper. This is how the pupils are able to specify that country as their ain district.
Place-making is a people-centred attack to the planning, design and direction of a infinite to a public topographic point. Put merely, it involves looking at, listening to, and inquiring inquiries to the people who live, work and play in a peculiar topographic point, to detect demands and aspirations. [ 4 ] To make a common country, it should be able to suit to the different demands of the assorted age groups of the occupants populating in that country. For case, if the vicinity has a big per centum of aged residents, the shared infinites created will be more inclined towards installations that are senior-friendly. Most likely, there will be more nursing places, clinics and aerobic exercises corner for the aged. Because of the being of such installations, people gather and therefore a community infinite is created. In this instance, the resort areas and the exercise corners are the material objects in a infinite, hence specifying a topographic point.
Centripetal experiences become integrated through the organic structure, or instead, in the very fundamental law of the organic structure and the human manner of being. Our organic structures and motions are in changeless interaction with the environment. [ 5 ] To at least some extent every topographic point can be remembered, partially because it is alone, but partially because it has affected our organic structures and generated adequate associations to keep it in our personal universes. [ 6 ] To counter place-less-ness in transient locales, interaction with the locale must affect all centripetal experiences which includes sense of sight, hearing, touch, gustatory sensation and odor.
In a impermanent locale like a hotel, prosecuting our sense of sight would intend that what we see in a hotel flat is replicative of what we have in our ain places. The material objects that made up a hotel room will include a bed, a tabular array lamp and so on, which is what we outline as a topographic point we call “bedroom” . All these are familiar happenings which we experience back in the comfort of our places. However, our sense of sight is non a stand-alone experience, it has to be interconnected and reaffirmed with our other senses. Giving an illustration of a boiling boiler of H2O, we require our sense of sight to witness that there’s steam and besides our sense of hearing when the boiler whistlings.
Figure 2: Our sense of sight is non a stand-alone experience, it has to be interconnected and reaffirmed with our other senses.
In a somewhat larger context, Singapore is a infinite, with the assorted estates and parts stand foring the several alone topographic points. Typically, the substructure, comfortss and edifices distinguish the features of a topographic point. The estates and parts which we termed “Place” is made up of several stuff objects which is specific to that part. In Central Business District ( CBD ) , the stuff objects are skyscrapers, high category hotels, eating houses, and branded shopping mercantile establishments. In lodging estates, the proviso stores, java stores and the high rise Housing Development Board ( HDB ) flats will represent as the stuff objects. Interior design can be applied to counter the consequence of place-less-ness. “Interior” here means within Singapore. Residents of Singapore can distinguish a CBD country from a lodging estate by utilizing their centripetal experiences. As described above, the sense of sight could be applied here when the residents look at the environing substructures. To utilize their sense of hearing would be to listen out for the clattering of pots and pans in the java stores, or the “clocking” sounds of the heels of office ladies in CBD countries.
In a planetary scene, Singapore is surrounded by Waterss, whereas in land locked states in the Southeast Asia Region, like Laos, there are distinguishable milieus that identify the topographic point. Here, “interior” would curtail the treatment to within Southeast Asia. In a bunco and bustle metropolis like Singapore, high rise edifices makes up its landscape. On the contrary, cragged verdure makes up the landscape of Laos. Making usage of our sense of hearing and odor will assist us to undertake the job of place-less-ness. Forestations, mountains and natural flora constitute the scenery of Laos, so the sound of crickets naming, the odor of forenoon dew and the moist wood litter will be what is alone about it. Air polluted with the intolerable odor fumes exhausts, noisy honking of the vehicles on the crowded freeway will be distinguishable to Singapore.
To hold a “sense of belonging” would connote that person is emotionally attached to a peculiar topographic point, normally a location where 1 is familiar with. It is a topographic point where the individual feels homely, comfy and safe. To a Singaporean, he or she might experience that they are at place when they see skyscrapers and high rise edifices. When remaining in a hotel, the atmosphere resembles what a individual has at place, and so they feel as if they are remaining in their ain low residence.
Wraping up, a topographic point is a subset of a infinite, and a infinite can be transformed into a topographic point by finding the stuff objects within it. Centripetal experiences are used to interact with our milieus, such that it creates a sense of acquaintance ensuing in the emotional feeling of a sense of belonging.
Figure 3: High rise edifices are a familiar sight in Singapore.
Placemaking Committee, 2008.11 rules of placemaking – Placemaking Chicago[ online ] . New York, Project for Public Spaces. Available from: hypertext transfer protocol: //www.placemakingchicago.com/about/principles.asp [ Accessed 25 May 2014 ]
Placemaking Committee, 2008.What is placemaking? – Placemaking Chicago[ online ] . New York, Project for Public Spaces. Available from: hypertext transfer protocol: //placemakingchicago.com/about/ [ Accessed 25 May 2014 ]
Dictionary.com, 2014. Place | Define Place at Dictionary.com [ online ] . IAC Corporation. Available from: hypertext transfer protocol: //dictionary.reference.com/browse/place? s=ts [ Accessed 25 May 2014 ]
Dictionary.com, 2014. Space | Define Space at Dictionary.com [ online ] . IAC Corporation. Available from: hypertext transfer protocol: //dictionary.reference.com/browse/space? s=t [ Accessed 25 May 2014 ]
Pallasmaa, Juhaini. The Eyes of the Skin: Architecture and the Senses, John Wiley & A ; Sons, erectile dysfunction. 2005.
List of Images
Figure 1: Bettina Deda, 2013.A topographic point or a infinite is based on one’s judgement.[ online ] Australia, Bettina Deda Colour Design. hypertext transfer protocol: //www.bdcolourdesign.net.au/3-proven-steps-to-start-a-room-makeover/ Fig. [ Accessed 26 May 2014 ]
Figure 2: Chris Swithinbank, 2012.Our sense of sight is non a stand-alone experience, it has to be interconnected and reaffirmed with our other senses.[ online ] US, Chrisswithinbank. hypertext transfer protocol: //www.chrisswithinbank.net/2012/08/the-incredulity-of-st-thomas-at-harvard/ Fig. [ Accessed 26 May 2014 ]
Figure 3: Universes in Universe. High rise edifices are a familiar sight in Singapore. Singapore, Universes in Universe. hypertext transfer protocol: //universes-in-universe.de/car/singapore/eng/ort/financial-district/img-02.htm Fig. [ Accessed 26 May 2014 ]